Can there be major dimensions of a poem, a painting, a musical compostion created in the absence of God? Or, is God always a real presence in the arts? Any new book by Steiner is an event according to Eva Hoffman of the New York Times.
Can there be major dimensions of a poem, a painting, a musical composition created in the absence of God? Or, is God always a real presence in the arts? Steiner passionately argues that a transcendent reality grounds all genuine art and human communication. A real tour de force. . . . All the virtues of the author's astounding intelligence and compelling rhetoric are evident from the first sentence onward.--Anthony C. Yu, Journal of Religion
